Gene Youngblood, Expanded Cinema - 


Pg. 86

There's no conflict in harmonic opposites. Nor is there anything that might be called linkage. There is only a space-time continuum, a mosaic simultaneity. Although composed of discrete elements it is conceived and edited as one continuous perceptual experience. A synaesthetic film is, in effect, one image continually transforming into other images: metamorphosis. It is the one unifying force in all of synaesthetic cinema. The notion of universal unity and cosmic simultaneity is a logical result of the psychological effects of the global communications network.